1 ) formal and iconographic characteristics are seen in high renaissanace, venetian and mannerist art. to begin with, in high renaissance michaelangelos Moses is shown holding the 10 best practices. You can plainly see the anger that is dipicted through the face expression upon moses. Michaelangelo wonderfully shows the psychological states in moses, throughout the iconographic qualities of his puffed reduced lip, arched toes plus the bulging of his problematic veins. the formal characteristics are noticed through michealangeols mastery of lines, which help create the anger that is being felt by moses. The formal characteristic of the lining of his beard and clothing display his internal turmoil. In the venetian painting of the virgin mobile of the stones by Leonardo Da Vinci, the designer magnificantly uses the chiaroscuro method of lumination and darker to version the expression and emotional claims of the numbers being portrayed. The lines, soft and subtle provide the painting a far more intimate sense. The numbers are all shown interacting with each other, praying, directed, and blessing. He as well presents the figures within a pyramidal group and posting the same environment. The numbers emerge through the use of light and shading from the half-light in the cavernous futurist landscape. Intended for mannerism, formal characteristics are clearly observed in Parmigianino's Madonna with the very long neck. Even though nothing is proven in proportion the painting still apears soft and smooth, through the lines and colors employed. The madonnas long the neck and throat, the delicacy of her hands and swaying elongation of her frames are typical signs of mannerism. On the left stands the angelic creatures burning with emotions as soft and smooth as their hands or legs. on the correct the designer includes a brand of columns with out capitals and an enigmatic figure which has a scroll in whose distance from your foreground is immeasureable and imbiguous.

2 . Mannerist and reaissance architecture are both different from each other. Reainissance structure is seen in...

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